Portfolio

This is my very own personal project, that has been active for the last 5 years. The whole project is a labour of love and passion; everything you see and hear is done by me (including the graphics, videos, promotional material etc...) as part of my practice and self realization.

One of my biggest achievments is definitely getting onto the "New Music Friday CZ&SK" playlist with songs:

• Distractions

• Where Am I Going?

• Radšej mi nepovedz

One of the largest projects I have worked on was this audiobook. Luis Castañeda's audio book titled "Una joya envuelta en Carbón, o una impureza vestida de nacár" was a challenge, but a fun to work on! I was responsible for tracking, editing, mixing, mastering the vocals + composing and recording all the background music for each poem.

• 45 poems

• 45 unique musical compositions

• 32 minutes of finished product

At 1620 Audio, we did lots of different types of jobs, from recording and editing podcasts to creating video ads, social media content, documentaries, and much more.

Thanks to this experience, I gained valuable skills in both audio and video.

Podcasts were probably the biggest part of my work at 1620 Audio. They require a lot of responsibility and proper preparation beforehand, as there is no chance to re-record the same emotion again.

I really enjoyed my time at 1620 Audio, as I gained so many new skills, confidence, connections, and life long friendships.

Whenever I had time on my hands, I did freelance Mixing & Mastering work for artists through Fiverr. 

Mixing & Mastering music for others has always been fulfilling for me, as seeing the reactions of the artists to the fininshed product and being a part of someone's creative process is always priceless. It makes me love the craft I do even more.

Here are two of my favorite songs I worked on!

Sound design I worked on for Fiachra Murthag's short cartoon animation.

This collaboration was both enjoyable and valuable.

A fun project I helped with for a talented artist, Holly Murphy. Each session we planned the mic setup and tracked the material. 

We tracked Drums, Acoustic Guitars, Electric Guitars, Bass Guitar, Lead Vocals, Backing Vocals, Percussions, Synth etc..., using multiple mic techniques and different types of approaches.

Just an example of one of my academic studio acoustics practical project papers. 

Here, I used Room EQ Wizzard to analyze a space and come up with solutions to fix any problematic frequencies or responses.

On this website, I tried to include a selection of my work that highlights all the different parts of the industry I've dipped my feet into. However, over the years, I have worked on multiple smaller projects and produced multiple "demos" and "for-fun music" that I never published. If you are curious about them or have something specific in mind, feel free to reach out, and I will provide you with more material :)

You can contact me at: 

sbozik00@gmail.com